Place the Raga in sequence starting from first 'Prahar' of day according to the Time-Theory of Hindustani Music System :
i. Des
ii. Vrindavani Sarang
iii. Yaman
iv. Alhaiya Bilawal
v. Bihag
vi. Bhimpalasi

Question

Place the Raga in sequence starting from first 'Prahar' of day according to the Time-Theory of Hindustani Music System :
i. Des
ii. Vrindavani Sarang
iii. Yaman
iv. Alhaiya Bilawal
v. Bihag
vi. Bhimpalasi

Accepted Answer

In the Hindustani classical music system, the concept of "Prahar" refers to specific time periods of the day, and certain ragas are traditionally associated with these times. The correct sequence of ragas according to the Time-Theory of Hindustani Music System, as given in Option 1, is:

1. **Alhaiya Bilawal (iv)** - This raga is typically performed in the early morning, making it suitable for the first prahar of the day. It is known for its serene and peaceful mood, which aligns well with the calmness of the early morning.

2. **Vrindavani Sarang (ii)** - This raga is associated with the late morning or midday. It is often performed during the second prahar and is known for its bright and lively character, which matches the energy of the late morning.

3. **Bhimpalasi (vi)** - This raga is traditionally performed in the early afternoon, during the third prahar. It has a contemplative and introspective mood, fitting the transition from the energetic morning to the more relaxed afternoon.

4. **Yaman (iii)** - Yaman is typically associated with the evening, specifically the fourth prahar. It is one of the most popular evening ragas, known for its romantic and soothing qualities.

5. **Bihag (v)** - This raga is performed in the late evening or night, during the fifth prahar. It is known for its joyful and festive mood, making it suitable for the night.

6. **Des (i)** - Des is associated with the late night or early hours of the morning, during the sixth prahar. It has a serene and tranquil mood, which is appropriate for the quiet and peaceful late night.

Now, let's explain why the other options are incorrect:

- **Option 2 (ii - v - iii - iv - i - vi)**: This sequence incorrectly places Vrindavani Sarang at the start, which is not suitable for the first prahar. Additionally, it places Bihag before Yaman, which disrupts the traditional evening sequence.

- **Option 3 (iv - ii - iii - i - vi - v)**: This option incorrectly places Bhimpalasi at the end, which is not aligned with its traditional early afternoon timing. It also places Des before Bihag, which is not consistent with the late night sequence.

- **Option 4 (ii - v - iv - i - vi - iii)**: This sequence incorrectly starts with Vrindavani Sarang and places Yaman at the end, which is not suitable for its traditional evening timing. It also disrupts the sequence by placing Alhaiya Bilawal after Bihag.

In conclusion, Option 1 correctly aligns each raga with its traditional time of performance according to the Time-Theory of Hindustani Music System, making it the correct answer.