Shahjahan's last days' is the title of famous art work:

Question

Accepted Answer

The correct option is 3: Abnindranath Tagore

Abanindranath Tagore is rightly credited with this famous work, which encapsulates the ethos of the Bengal School of Art that he founded in the early 20th century. "Shahjahan's Last Days" is a poignant portrayal of the Mughal Emperor Shah Jahan, nearing his end while imprisoned in the Agra Fort, gazing at the Taj Mahal. The painting is a deep, emotional exploration of themes like sorrow, loss, and devotion, primarily achieved through the distinctive Indian Wash Technique that Abanindranath pioneered. This technique—involving repeated dipping of the watercolor paper in water to create a soft, ethereal, and atmospheric quality—was a deliberate choice to reject Western academic realism and champion a nationalist, spiritual art revival, making this work a masterpiece of the movement.

The incorrect option is 1:
Gaganendranath Tagore was the elder brother of Abanindranath and a prominent figure in modern Indian art, but his style was radically different. Gaganendranath is primarily recognized as the pioneer of Cubism in India, known for his abstract, geometric paintings and complex use of light and space. His artistic journey moved away from the sentimental and historical themes of the Bengal School. Furthermore, he was famous for his satirical social caricatures of the Westernized Bengali elite, which contrasts sharply with the delicate, spiritual narrative of "Shahjahan's Last Days."

The incorrect option is 2:
Raja Ravi Verma (1848–1906) was a contemporary artist with a completely opposing style and philosophy. He was known for popularizing Western academic naturalism and oil painting in India, specializing in realistic, theatrical depictions of scenes from Hindu epics and mythology. Raja Ravi Verma's acceptance of European techniques was exactly what the Bengal School, led by Abanindranath, reacted against and sought to replace with an indigenous style. Thus, his style is fundamentally and ideologically separate from the Bengal School's revivalist art.

The incorrect option is 4:
M. F. Hussain (Maqbool Fida Hussain) belongs to a much later, post-Independence period of Indian art. He was a foundational member of the Progressive Artists' Group (PAG) in 1947, which aimed for a secular and internationalist modernism. Hussain’s art is characterized by bold, fractured lines, vibrant colour, and a focus on contemporary Indian life, often featuring subjects like the horse, the mother and child, and the Hindu gods in a Cubist-Post-Impressionistic style. His work is decades removed from the historical context and emotional, wash-technique style of "Shahjahan's Last Days."