Theme of 'Bindu' is associated with which painter ?

Question

Accepted Answer

The correct option is 3:
The theme of 'Bindu' is inseparably associated with the eminent modern Indian painter, Sayed Haider Raza, who made it his signature motif from the 1970s onward. The Bindu, which literally means a point or dot, holds profound spiritual and philosophical significance in Indian thought, symbolizing the point of creation, the source of all energy and life, and the center of the universe. For Raza, the motif was a device for introspection and concentration, recalling a childhood memory of his teacher using a dot to help focus his wandering mind. By adopting this geometric, abstract form, Raza transitioned from his earlier expressionistic landscapes to a deeper engagement with Indian spirituality, metaphysics, and the five Vedic elements, which he expressed through the intense colors and geometric compositions anchored by the central black Bindu.

The incorrect option is 1:
Biren De was another significant Indian modernist painter, often classified under the Neo-Tantra movement in the 1960s. While he did employ abstract and symbolic geometric forms, his primary thematic focus was the representation of cosmic and spiritual energy, frequently using complex, radiating, and often organic forms to depict the dynamic interplay between 'Purusha' (consciousness) and 'Prakriti' (nature). His work uses a mystical, charged abstraction, but he is not the artist whose name is synonymous with the solitary black cosmic circle known as the 'Bindu'.

The incorrect option is 2:
O. P. Sharma is a well-regarded name in the field of Indian art, primarily known for his contributions as a photographer and art educator. His artistic output and academic work have been influential, but he is not a painter whose oeuvre is characterized or defined by the specific use of the 'Bindu' motif. Therefore, in the context of famous Indian painters and their trademark themes, O. P. Sharma is not the correct association for the Bindu.

The incorrect option is 4:
J. Swaminathan, or Jagdish Swaminathan, was a prominent painter of the Group 1890 and a key figure in the cultural landscape, particularly as the director of the Bharat Bhavan museum. His distinct style involved painting simplified, flat images of birds, mountains, and trees in a primordial space, drawing heavily on tribal and folk art. While his art is abstract and symbolic, his iconography revolves around natural elements and simple geometric forms like the circle or triangle, but the 'Bindu' as a central, recurring, and named theme is not his artistic trademark.