Who built the sculpture "Triumph of Labour'?

Question

Accepted Answer

The correct option is 2:
D. P. Roy Chaudhuri, officially known as Debi Prasad Roy Chowdhury, is the internationally renowned sculptor who created the bronze masterpiece, "Triumph of Labour." Erected in 1959 at Marina Beach in Chennai, the sculpture is an iconic piece of Indian social realism, depicting four muscular men straining together to shift a massive rock. Roy Chowdhury, who also served as the first Indian Principal of the Government College of Fine Arts, Madras, intended the work as a powerful, dynamic tribute to the dignity and collective effort of the working class. The piece stands as a permanent memorial near the site of India's first commemoration of May Day in 1923, symbolizing the perseverance of labor against adversity.

The incorrect option is 1:
P. V. Jankiram was a contemporary Indian sculptor, but his artistic focus and medium were markedly different from the monumental realism of D. P. Roy Chowdhury. Jankiram is famously known for pioneering a unique style of sculpture using welded and beaten copper sheets. His work typically features flattened, two-dimensional planes and indigenous motifs, which is a departure from the grand, anatomically realistic bronze figures characteristic of the "Triumph of Labour."

The incorrect option is 3:
Balbir Singh Katt is a distinguished figure in modern Indian sculpture, but his contributions mainly fall outside the social realist tradition of this particular work. Katt, a contemporary of Roy Chowdhury's later career, is associated with a more modernist and often abstract aesthetic. His sculptures, often carved from stone, focus on organic forms and spiritual themes rather than the narrative and muscular realism displayed in the "Triumph of Labour," making him an unlikely creator for this specific monument.

The incorrect option is 4:
Ramkinkar Baij is one of the most celebrated and pioneering figures of modern Indian sculpture, noted for his raw, indigenous, and expressionistic style. Unlike the academic realism of Roy Chowdhury, Baij often favored unconventional materials like cement and concrete for his monumental public works, such as the famous *Santhal Family* at Santiniketan. His style emphasizes vitality and a break from classical modeling, which is the antithesis of the carefully structured and realistic depiction of the human body in the "Triumph of Labour."