By adding which Swara in the phrase of Raga Vrindavani Sarang, can get the Swara of Raga Des ?

Question

Accepted Answer

Raga Vrindavani Sarang and Raga Des are both popular ragas in Indian classical music, each with its own distinct characteristics and swara (note) patterns. To understand why Option 3 is correct, let's delve into the swara structure of these ragas and how the addition of specific swaras can transform one raga into another.

### Explanation for Option 3: Dha Ga in Avroh

1. **Raga Vrindavani Sarang**: This raga typically uses the swaras Sa, Re, Ma, Pa, Dha, and Ni in its structure, with a characteristic omission of Ga in the Aroh (ascending scale). The Avroh (descending scale) often includes the swaras in a specific pattern that gives the raga its unique identity.

2. **Raga Des**: This raga is known for its use of all seven swaras, including Ga and Dha, which are prominent in both the Aroh and Avroh. The inclusion of Ga and Dha in the Avroh is particularly significant in defining the raga's identity.

3. **Justification for Option 3**: By adding Dha and Ga in the Avroh of Raga Vrindavani Sarang, the swara pattern aligns more closely with that of Raga Des. This addition allows for the characteristic phrases and emotional expression of Raga Des to emerge, effectively transforming the musical phrase from Vrindavani Sarang to Des.

### Explanation for Why Other Options are Incorrect:

1. **Option 1: Ga Dha in Aroh**: While Ga and Dha are important swaras in Raga Des, their addition in the Aroh does not align with the typical ascent pattern of Raga Des. The transformation primarily requires changes in the Avroh to capture the essence of Raga Des.

2. **Option 2: Re Pa in Aroh**: Re and Pa are already present in the structure of Raga Vrindavani Sarang. Their addition in the Aroh does not contribute to the transformation into Raga Des, as these swaras do not define the unique characteristics of Raga Des.

3. **Option 4: Ma Re in Avroh**: While Ma and Re are part of both ragas, their specific use in the Avroh does not facilitate the transition to Raga Des. The defining swaras for this transformation are Dha and Ga, as specified in Option 3.

In conclusion, Option 3 is correct because the addition of Dha and Ga in the Avroh of Raga Vrindavani Sarang effectively incorporates the essential swaras of Raga Des, allowing for a seamless transformation between the two ragas.