Kota, Bundi and Jhalawar style come under:

Question

Accepted Answer

The correct option is 4: Hadoti Style.

The correct classification for the distinct styles of painting originating from Kota, Bundi, and Jhalawar is the Hadoti School of Painting. These three princely states were historically ruled by the Hada Chauhan Rajputs, and the geographical region they encompassed is collectively known as Hadoti. The Hadoti School is a significant sub-school of the broader Rajasthani Miniature Painting tradition. While each state, particularly Bundi and Kota, developed unique features—such as the Bundi School's delicate compositions and lush landscapes, and the Kota School's focus on vigorous hunting scenes—they share a fundamental stylistic base, including the use of vibrant colours and a specific influence from the Deccani and Mughal styles. Therefore, the Hadoti style serves as the umbrella term for the artistic output of this entire Hada-ruled region.

The incorrect option is 1: Mewar Style.
Mewar is one of the four principal schools of Rajasthani painting, distinct from the Hadoti region. The Mewar School developed under the Sisodia Rajputs and its main centre was Udaipur. While the Mewar style, with its bold colours and religious themes, did influence the very early phase of the Bundi painting style, it represents a separate kingdom and a fully autonomous artistic school with its own characteristic features. These features include prominent fish-shaped eyes and strong outlines in figures. The Hadoti region's school branched out and developed its own unique identity, making its consolidation under Mewar an incorrect categorization.

The incorrect option is 2: Marwar Style.
The Marwar Style is another independent school of Rajasthani painting. The Marwar region includes key art centres like Jodhpur, Bikaner, and Kishangarh. The Marwar style is geographically located in the western part of Rajasthan, far from the south-eastern Hadoti region. Its artistic features are also substantially different, often featuring the extensive use of yellow, and, particularly in the Kishangarh sub-school, highly elongated figures. Grouping Kota, Bundi, and Jhalawar, which belong to the Hada Chauhan Rajputs, under the Marwar style, which belongs to the Rathore Rajputs, is inaccurate both geographically and art-historically.

The incorrect option is 3: Dhundhar Style.
The Dhundhar School is the fourth major school of Rajasthani painting, located in the north-eastern region. Its primary centres include Amber, Jaipur, and Alwar. This school is known for its strong Mughal influence, fine drawing, and the depiction of court scenes and portraits, especially from the time of the Jaipur rulers. As a separate geo-political and artistic unit, it has an independent developmental history that is separate from the Hada-ruled states. The styles of Kota, Bundi, and Jhalawar do not belong to this artistic group, as their origins and defining characteristics place them firmly within the Hadoti regional grouping.