Select the odd according to Bhatkhande notation :

Question

Accepted Answer

Option 3, "Meend - Pa Re," is identified as the odd one out according to Bhatkhande notation. Here's a detailed explanation supporting why this is the correct choice:

1. **Explanation for Option 3 (Meend - Pa Re):**
   - In Indian classical music, a "Meend" refers to a glide or a smooth transition between two notes. It is a technique used to connect notes in a fluid manner, creating a continuous sound. The term "Meend" itself does not denote a specific set of notes or a category of swaras (notes) like the other options. Instead, it describes a method of playing or singing notes. Therefore, "Meend - Pa Re" is not a classification of swaras but rather a technique, making it the odd one out.

2. **Explanation for why other options are incorrect:**

- **Option 1 (Mandra Swara - Nị Dhạ Pạ):**
     - "Mandra Swara" refers to the lower octave notes in Indian classical music. The notes "Nị Dhạ Pạ" are examples of swaras that can be sung or played in the Mandra Saptak (lower octave). This option correctly represents a category of swaras based on their octave placement.

- **Option 2 (Kan Swara - ^{Ma}Ga ^{Sa}Re):**
     - "Kan Swara" refers to grace notes or embellishments used in Indian classical music. The notation "^{Ma}Ga ^{Sa}Re" indicates the use of grace notes, where a note is quickly touched before moving to the main note. This option correctly represents a type of swara embellishment.

- **Option 4 (Komal Swara - Re Dha):**
     - "Komal Swara" refers to flat notes in Indian classical music. "Re" and "Dha" are examples of notes that can be sung or played in their komal (flat) form. This option correctly represents a category of swaras based on their tonal quality.

In summary, Option 3 is the odd one out because it describes a technique (Meend) rather than a classification of swaras, unlike the other options which categorize swaras based on octave, embellishment, or tonal quality.