The writer of 'Rag Ratna Manjusha', 'Nartan Sarvasva' text was:

Question

Accepted Answer

The correct option is 2:
Raja Chakradhar Singh of Raigarh (1905-1947) was a unique personality, being a ruling monarch, an accomplished Kathak dancer, and a prolific music and dance scholar. He is definitively credited with authoring the comprehensive theoretical texts *Rag Ratna Manjusha* and *Nartan Sarvasva*. *Rag Ratna Manjusha* is a detailed commentary on Hindustani classical Ragas, while *Nartan Sarvasva* is considered a monumental work on the theoretical principles, *mudras*, and overall technique of Kathak dance. His scholarship and patronage formed the basis of the distinct Raigarh Gharana, making him an indispensable figure in the study of Indian classical arts.

The incorrect option is 1:
Bindadin Maharaj was a highly influential and legendary Kathak dancer from the Lucknow Gharana, whose contribution lies in his immense compositional work, especially in *Thumri* and rhythmic patterns. His greatness is in performance and choreography, not in the authorship of comprehensive theoretical music and dance treatises like those mentioned. His work is primarily practical and creative, contrasting with the scholarly nature of *Rag Ratna Manjusha* and *Nartan Sarvasva*. He was a performer and a *guru* who transmitted knowledge orally and through compositions.

The incorrect option is 3:
Wajid Ali Shah was the last Nawab of Awadh and a great patron and practitioner of the arts, particularly Kathak. His royal court served as a crucible for the flourishing of the Lucknow Gharana, and he himself composed numerous *bandishes* and the famous opera *Inder Sabha*. Although his contribution to the popularization and refinement of Kathak is undeniable, he is not the author of the specific theoretical texts *Rag Ratna Manjusha* and *Nartan Sarvasva*. His influence was more in the realm of courtly patronage and composition.

The incorrect option is 4:
Ustad Allauddin Khan was one of the most revered figures in 20th-century Hindustani instrumental music, famed as a Sarod maestro and the founder of the Maihar Gharana. His life's work was dedicated to performance, multi-instrumental mastery, and rigorous musical pedagogy, having trained many of the century's great musicians. His sphere of influence was in instrumental music and vocal composition. He was not a dance theorist, nor is he credited with writing the specific dance and musicology texts, *Rag Ratna Manjusha* and *Nartan Sarvasva*.