Scientific division of Rajasthani Painting was firstly done by :

Question

Accepted Answer

Ananda Coomaraswamy is recognized as the individual who first conducted the scientific division of Rajasthani Painting. His contributions to the study of Indian art are profound and well-documented. Coomaraswamy was a pioneering art historian and philosopher who played a crucial role in introducing Indian art to the Western world. His work laid the foundation for the academic study of Indian art forms, including Rajasthani Painting.

1. **Justification for Option 4: Ananda Coomaraswamy**
   - Ananda Coomaraswamy's extensive research and scholarly work on Indian art made him a leading figure in the field. He was instrumental in categorizing and analyzing various Indian art forms, including Rajasthani Painting, through a scientific and systematic approach. His efforts helped in understanding the distinct styles and characteristics of Rajasthani Painting, which is why he is credited with its scientific division.

2. **Explanation for Incorrectness of Other Options:**

- **Option 1: Mulkraj Anand**
     - Mulkraj Anand was a prominent Indian writer and art critic, known for his novels and essays on art and culture. While he contributed to the discourse on Indian art, he is not specifically credited with the scientific division of Rajasthani Painting.

- **Option 2: Ram Gopal Vijayvargiya**
     - Ram Gopal Vijayvargiya was an artist and art historian who contributed to the study of Indian art. However, his work did not specifically focus on the scientific division of Rajasthani Painting, which is why he is not recognized for this particular achievement.

- **Option 3: Moti Chandra**
     - Moti Chandra was an Indian historian and scholar who made significant contributions to the study of Indian history and culture. Despite his scholarly work, he is not credited with the scientific division of Rajasthani Painting.

In conclusion, Ananda Coomaraswamy's pioneering efforts in the scientific study and categorization of Indian art forms, including Rajasthani Painting, make him the correct answer for this question. His work remains foundational in the field of art history, particularly in the context of Indian art.