Identify the musician by given words: Aftab-e-Mousiki, Prem Piya.

Question

Accepted Answer

The correct option is 2:
Ustad Faiyaz Khan, a towering figure in Hindustani classical music from the Agra Gharana, is the musician associated with both of these terms. The title **Aftab-e-Mousiki**, which literally translates to "Sun of Music," was a highly prestigious honorific bestowed upon him in his lifetime, acknowledging his unparalleled mastery over *Dhrupad*, *Dhamar*, and *Khayal* styles. Furthermore, **Prem Piya** was the *Takhallus* or pen name he used to compose his numerous *bandishes* (compositions). His profound musical depth and seminal contribution to the Agra Gharana are definitively identified by the correct pairing of these two names.

The incorrect option is 1:
**Bade Ghulam Ali Khan** was a master vocalist of the Patiala Gharana, revered for his command of the *Tappa* and *Thumri* genres. He was famously known by the honorific 'Tansen of the 20th Century,' a title that reflects his vocal genius. Critically, his pen name (Takhallus) for composing was *Sabrang*, not *Prem Piya*, which is why this option is incorrect.

The incorrect option is 3:
**Karim Khan** refers to Ustad Abdul Karim Khan, the founder of the influential Kirana Gharana. This school of music is known for its focus on the emotional and microtonal accuracy (*Shruti*) of the notes, often emphasizing the sustained, deeply moving rendition of *Khayal*. Although he was an absolute master, he is not associated with the title *Aftab-e-Mousiki*. His compositions were typically published under the pen name *Haripriya*, which rules him out as the correct answer.

The incorrect option is 4:
**Masit Khan** is historically significant but is fundamentally different from the rest of the options. He was not a vocalist but a renowned Sitar player from the 18th century. He is credited with the invention of the slow-tempo Sitar composition style known as the *Masitkhani Gat*. This association with an instrumental style and a different time period makes him distinct from the context of *Aftab-e-Mousiki* and *Prem Piya*.