Which of the following is wrongly matched ?

Question

Accepted Answer

The correct option is (4):
The statement "Khamaj - 4th Prahar of Day" is the wrongly matched pair because Raga Khamaj is not traditionally performed during the late afternoon, which is the time slot for the 4th Prahar of the Day (approximately 3 PM to 6 PM). According to the *Samay Siddhant* (Time Theory of Ragas), Raga Khamaj is firmly classified as a night raga, with its performance time specifically prescribed for the **second Prahar of the Night** (approximately 9 PM to 12 AM). This Raga's light, romantic, and pleasing mood is ideally suited for the late evening, making its pairing with the late afternoon period incorrect and thus, the correct answer to the question asking for the wrong match.

The incorrect option is (1):
The pairing "Alhaiya Bilawal - 1st Prahar of Day" is a **correct** match according to the Time Theory of Ragas. Raga Alhaiya Bilawal, based on the Bilawal Thaat, is the definitive morning Raga, often considered the most auspicious scale. It is sung and played during the early morning hours, corresponding precisely to the first Prahar of the day (roughly 6 AM to 9 AM). The Raga's bright, entirely *shuddh* (natural) notes create an uplifting, pure, and celebratory mood that perfectly reflects the sunrise and the very beginning of the day.

The incorrect option is (2):
The pairing "Jaunpuri - 2nd Prahar of Day" is also a **correct** match. Raga Jaunpuri is a well-known Raga from the Asavari Thaat, and it falls into the category of midday Ragas. Its designated time of performance is the late morning hours, which is the second Prahar of the day (approximately 9 AM to 12 PM). This Raga uses three *komal* (flat) notes—Gandhar, Dhaivat, and Nishad—lending it a serious, sober, and introspective mood that is appropriate for the period just before noon.

The incorrect option is (3):
The pairing "Bhimpalasi - 3rd Prahar of Day" is a **correct** match. Raga Bhimpalasi belongs to the Kafi Thaat and is classified as a midday or afternoon Raga. Its prescribed performance time is set for the third Prahar of the day (approximately 12 PM to 3 PM). The Raga's melodic structure, featuring *komal* Gandhar and Nishad, evokes a mood of serene depth and quiet contemplation, which is considered perfectly fitting for the post-noon, pre-twilight hours.