In which of the following text the 'Nishank Veena' and 'Nishank Tal' are mentioned ?

Question

Accepted Answer

The correct answer is Option 3: Sangeet Ratnakar.

1. **Explanation for Option 3 (Sangeet Ratnakar):**
   - The "Sangeet Ratnakar" is a comprehensive and influential text on Indian classical music and dance, written by the musicologist Sharngadeva in the 13th century. It is considered one of the most important treatises in the history of Indian music. The text covers a wide range of topics, including musical instruments, rhythms, and various aspects of performance. The mention of 'Nishank Veena' and 'Nishank Tal' in the "Sangeet Ratnakar" highlights its detailed exploration of musical instruments and rhythmic patterns, making it a significant source for understanding these concepts.

2. **Explanation for why other options are incorrect:**

- **Option 1 (Natyashastra):**
     - The "Natyashastra" is an ancient Indian treatise on performing arts, encompassing theatre, dance, and music. Written by Bharata Muni, it primarily focuses on dramaturgy and the theory of rasa (aesthetic experience). While it does cover music and instruments, its primary emphasis is not on the detailed classification of musical instruments like the 'Nishank Veena' and 'Nishank Tal', which are more specifically addressed in later texts like the "Sangeet Ratnakar".

- **Option 2 (Brihaddeshi):**
     - The "Brihaddeshi" is a significant text on Indian classical music, attributed to Matanga Muni. It is known for introducing the concept of raga. However, it does not specifically mention 'Nishank Veena' and 'Nishank Tal'. The focus of "Brihaddeshi" is more on the theoretical aspects of music, particularly the development of ragas, rather than the detailed classification of instruments and rhythms found in the "Sangeet Ratnakar".

- **Option 4 (Sangeet Parijat):**
     - The "Sangeet Parijat" is a 17th-century text by Pandit Ahobal, which discusses various aspects of music, including ragas and talas. However, it does not specifically mention 'Nishank Veena' and 'Nishank Tal'. The "Sangeet Parijat" is more focused on the classification and description of ragas and talas prevalent during its time, rather than the detailed exploration of musical instruments and rhythms found in the "Sangeet Ratnakar".

In conclusion, the "Sangeet Ratnakar" is the correct text where 'Nishank Veena' and 'Nishank Tal' are mentioned, making Option 3 the correct answer.