The origin of the family classification of Ragas is considered from which text ?

Question

Accepted Answer

The origin of the family classification of Ragas is considered from the text "Sangeet Makarand" of Narad. Here is a detailed explanation supporting why Option 1 is correct and why the other options are incorrect:

1. **Sangeet Makarand of Narad (Correct Answer):**
   - "Sangeet Makarand" is one of the earliest known texts on Indian classical music, attributed to Narad. It is significant because it lays down the foundational concepts of Raga classification. The text is known for its systematic approach to categorizing Ragas into families, which has influenced subsequent musical treatises. Narad's work is pivotal in the historical development of Raga theory, making it the correct source for the origin of family classification of Ragas.

2. **Sangeet Parijat of Ahobal:**
   - "Sangeet Parijat," written by Ahobal in the 17th century, is a later text that discusses various aspects of music, including Ragas. However, it is not the origin of the family classification of Ragas. Instead, it builds upon earlier works and provides a more detailed exposition of Ragas and their characteristics. It is an important text but not the foundational source for the classification system.

3. **Swarmel Kalanidhi of Ramamatya:**
   - "Swarmel Kalanidhi," authored by Ramamatya in the 16th century, is another significant text in the history of Indian classical music. It focuses on the technical aspects of music, such as scales and notes, rather than the classification of Ragas into families. While it contributes to the understanding of musical structure, it does not serve as the origin of the family classification system.

4. **Abhinav Rag Manjri of Bhatkhande:**
   - "Abhinav Rag Manjri" is a 20th-century work by Vishnu Narayan Bhatkhande, a musicologist who played a crucial role in modernizing and systematizing Indian classical music. Bhatkhande's work is based on extensive research and analysis of earlier texts, including "Sangeet Makarand." However, his contributions are more about codifying and standardizing existing knowledge rather than originating the family classification of Ragas.

In conclusion, "Sangeet Makarand" of Narad is the correct text that marks the origin of the family classification of Ragas, as it is one of the earliest works to systematically categorize Ragas, influencing later musical literature.